A Damn Good Shot

Dedicated to the art of cinematography. You can read my other blog here. Send suggestions to ADamnGoodShot@gmail.com

Fri Jun 5
Dig the remote follow focus controllers. “A lot of DPs will set up a shot, choose the lens, etc., with the director and then you, as the operator, are told to merely execute the shot. That feels mostly like a wheel turner,” Anderson notes. “Dan’s the opposite. He provides input, but you have freedom and creative choice. It’s so rewarding. With Dan, you’re not just panning, tilting and invoicing. That’s so valuable.”

Dig the remote follow focus controllers.

“A lot of DPs will set up a shot, choose the lens, etc., with the director and then you, as the operator, are told to merely execute the shot. That feels mostly like a wheel turner,” Anderson notes. “Dan’s the opposite. He provides input, but you have freedom and creative choice. It’s so rewarding. With Dan, you’re not just panning, tilting and invoicing. That’s so valuable.”